{"id":9350,"date":"2024-10-04T07:19:12","date_gmt":"2024-10-04T05:19:12","guid":{"rendered":"https:\/\/www.studio-gilles-barbier.fr\/project\/interviews-vol-i-1995-2006\/"},"modified":"2024-11-06T18:49:12","modified_gmt":"2024-11-06T17:49:12","slug":"interviews-vol-i-1995-2006","status":"publish","type":"project","link":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/","title":{"rendered":"Interviews (vol. I). 1995-2006."},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”off|desktop” admin_label=”Header” _builder_version=”4.27.2″ background_color_gradient_direction=”188deg” background_enable_image=”off” background_size=”initial” background_repeat=”repeat” width=”100%” custom_padding=”||0px||false|false” custom_padding_tablet=”5vw||5vw||true” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” _builder_version=”4.27.0″ use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.0″ _dynamic_attributes=”content” _module_preset=”8f5ee6b5-14e8-48e8-a7fd-9354fcc5b479″ max_width_tablet=”70%” max_width_last_edited=”off|phone” global_colors_info=”{}”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9jYXRlZ29yaWVzIiwic2V0dGluZ3MiOnsiYmVmb3JlIjoiIiwiYWZ0ZXIiOiIiLCJsaW5rX3RvX3Rlcm1fcGFnZSI6Im9mZiIsInNlcGFyYXRvciI6IiB8ICIsImNhdGVnb3J5X3R5cGUiOiJwcm9qZWN0X2NhdGVnb3J5IiwiZW5hYmxlX2h0bWwiOiJvZmYifX0=@[\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

Link to Interviews (vol. II).<\/em><\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.0″ text_font=”||||||||” header_font=”|700|||||||” header_2_font=”|700|||||||” header_3_font=”|700|||||||” width=”100%” custom_margin=”|-339px||||” custom_padding=”||0px|||” header_font_size_last_edited=”off|desktop” locked=”off” global_colors_info=”{}”]<\/p>\n

Interviews (volume I, 1995-2006).<\/h1>\n

Criticism, a baroque mirror, often reflects back to the artist a surprising image of his work. Sometimes they reveal treasures, sometimes bedbugs that stick to you for a long time. But for a young artist, for a work in its infancy, critics are sometimes taken aback. Lack of perspective, clumsiness of discourse, sometimes audacity or simply intergenerational incomprehension make analysis a tricky business. So, all too often, critics fail to venture into the exoticism of an embryonic practice, contenting themselves with benign platitudes, or even mistakenly confusing the zeitgeist with youth. <\/p>\n

[\/et_pb_text][et_pb_toggle title=”Read more” open_toggle_text_color=”#000000″ open_toggle_background_color=”RGBA(255,255,255,0)” closed_toggle_background_color=”RGBA(255,255,255,0)” icon_color=”#000000″ open_icon_color=”#000000″ _builder_version=”4.27.2″ _module_preset=”default” title_text_color=”#000000″ title_font=”|600|||on||||” custom_padding=”|0px||0px|false|true” hover_enabled=”0″ border_width_all=”0px” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

For all these reasons, Gilles Barbier, from the outset, favored epistolary interviews, giving himself the luxury of the reflective time of writing. The first, in 1995, was with Jean-Yves Jouannais. The Internet was still in its infancy, and letters were still sent by post, making time-consuming correspondence the norm. He continued to favor this form of communication, which would become more fluid with the arrival of e-mail. He conducted dozens of interviews, with critics and curators of course, but also with philosophers, artists and writers. He accumulated pages and pages of texts, reflections, digressions and theoretical gropings. He would later integrate the flow of these exchanges into the body of his work. The handwritten record of these interviews in a notebook was to be the medium for this circulation, embodying, along with the systematic practice of portraiture, the references that paraded through his progress. <\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Gallery” _builder_version=”4.27.2″ background_enable_image=”off” background_size=”initial” background_repeat=”repeat” custom_margin=”2px|||||” custom_padding=”40px|||||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_gallery gallery_ids=”6617,6427,6429,6431,6433,6435,6437,6439,6441,6443,6445,6447,6449,6451,6453,6455,6457,6459,6461,6463,6465,6467,6469,6471,6473,6475,6477,6479,6481,6483,6485,6487,6489,6491,6493,6495,6497,6499,6501,6503,6505,6507,6509,6511,6513,6515,6517,6519,6521,6523,6525,6527,6529,6531,6533,6535,6537,6539,6541,6543,6545,6547,6549,6551,6553,6555,6557,6559,6561,6563,6573,6565,6567,6569,6571,6575,6577,6579,6581,6583,6585,6587,6589,6591,6593,6595,6597,6599,6601,6603,6605,6607,6609,6611,6613,6615″ posts_number=”200″ orientation=”portrait” show_pagination=”off” _builder_version=”4.27.0″ _module_preset=”default” caption_font_size=”0px” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Link to Interviews (vol. II).Interviews (volume I, 1995-2006). Criticism, a baroque mirror, often reflects back to the artist a surprising image of his work. Sometimes they reveal treasures, sometimes bedbugs that stick to you for a long time. But for a young artist, for a work in its infancy, critics are sometimes taken aback. Lack […]<\/p>\n","protected":false},"author":2,"featured_media":6503,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[23],"project_tag":[],"class_list":["post-9350","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-drawings"],"yoast_head":"\nInterviews (vol. I). 1995-2006. - Gilles Barbier<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interviews (vol. I). 1995-2006. - Gilles Barbier\" \/>\n<meta property=\"og:description\" content=\"Link to Interviews (vol. II).Interviews (volume I, 1995-2006). Criticism, a baroque mirror, often reflects back to the artist a surprising image of his work. Sometimes they reveal treasures, sometimes bedbugs that stick to you for a long time. But for a young artist, for a work in its infancy, critics are sometimes taken aback. Lack […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/\" \/>\n<meta property=\"og:site_name\" content=\"Gilles Barbier\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-06T17:49:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/10\/gilles-barbier-entretien-dessin-carnet-40.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"768\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/\",\"url\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/\",\"name\":\"Interviews (vol. I). 1995-2006. - Gilles Barbier\",\"isPartOf\":{\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/10\/gilles-barbier-entretien-dessin-carnet-40.webp\",\"datePublished\":\"2024-10-04T05:19:12+00:00\",\"dateModified\":\"2024-11-06T17:49:12+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/#primaryimage\",\"url\":\"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/10\/gilles-barbier-entretien-dessin-carnet-40.webp\",\"contentUrl\":\"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/10\/gilles-barbier-entretien-dessin-carnet-40.webp\",\"width\":768,\"height\":600,\"caption\":\"Interviews. P. 80-81\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/home\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Projects\",\"item\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Interviews (vol. I). 1995-2006.\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/#website\",\"url\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/\",\"name\":\"Gilles Barbier\",\"description\":\"Artiste Fran\u00e7ais\",\"publisher\":{\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/#organization\",\"name\":\"Gilles Barbier\",\"url\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/07\/cropped-favicon-gilles-barbier.webp\",\"contentUrl\":\"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/07\/cropped-favicon-gilles-barbier.webp\",\"width\":512,\"height\":512,\"caption\":\"Gilles Barbier\"},\"image\":{\"@id\":\"https:\/\/www.studio-gilles-barbier.fr\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.instagram.com\/studio_gilles_barbier_\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Interviews (vol. I). 1995-2006. - Gilles Barbier","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/","og_locale":"en_US","og_type":"article","og_title":"Interviews (vol. I). 1995-2006. - Gilles Barbier","og_description":"Link to Interviews (vol. II).Interviews (volume I, 1995-2006). Criticism, a baroque mirror, often reflects back to the artist a surprising image of his work. Sometimes they reveal treasures, sometimes bedbugs that stick to you for a long time. But for a young artist, for a work in its infancy, critics are sometimes taken aback. Lack […]","og_url":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/","og_site_name":"Gilles Barbier","article_modified_time":"2024-11-06T17:49:12+00:00","og_image":[{"width":768,"height":600,"url":"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/10\/gilles-barbier-entretien-dessin-carnet-40.webp","type":"image\/webp"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/","url":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/","name":"Interviews (vol. I). 1995-2006. - Gilles Barbier","isPartOf":{"@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/#primaryimage"},"image":{"@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/#primaryimage"},"thumbnailUrl":"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/10\/gilles-barbier-entretien-dessin-carnet-40.webp","datePublished":"2024-10-04T05:19:12+00:00","dateModified":"2024-11-06T17:49:12+00:00","breadcrumb":{"@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/#primaryimage","url":"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/10\/gilles-barbier-entretien-dessin-carnet-40.webp","contentUrl":"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/10\/gilles-barbier-entretien-dessin-carnet-40.webp","width":768,"height":600,"caption":"Interviews. P. 80-81"},{"@type":"BreadcrumbList","@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/interviews-vol-i-1995-2006\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.studio-gilles-barbier.fr\/en\/home\/"},{"@type":"ListItem","position":2,"name":"Projects","item":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/"},{"@type":"ListItem","position":3,"name":"Interviews (vol. I). 1995-2006."}]},{"@type":"WebSite","@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/#website","url":"https:\/\/www.studio-gilles-barbier.fr\/en\/","name":"Gilles Barbier","description":"Artiste Fran\u00e7ais","publisher":{"@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.studio-gilles-barbier.fr\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/#organization","name":"Gilles Barbier","url":"https:\/\/www.studio-gilles-barbier.fr\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/07\/cropped-favicon-gilles-barbier.webp","contentUrl":"https:\/\/www.studio-gilles-barbier.fr\/wp-content\/uploads\/2024\/07\/cropped-favicon-gilles-barbier.webp","width":512,"height":512,"caption":"Gilles Barbier"},"image":{"@id":"https:\/\/www.studio-gilles-barbier.fr\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.instagram.com\/studio_gilles_barbier_\/"]}]}},"_links":{"self":[{"href":"https:\/\/www.studio-gilles-barbier.fr\/en\/wp-json\/wp\/v2\/project\/9350"}],"collection":[{"href":"https:\/\/www.studio-gilles-barbier.fr\/en\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.studio-gilles-barbier.fr\/en\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.studio-gilles-barbier.fr\/en\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":7,"href":"https:\/\/www.studio-gilles-barbier.fr\/en\/wp-json\/wp\/v2\/project\/9350\/revisions"}],"predecessor-version":[{"id":9811,"href":"https:\/\/www.studio-gilles-barbier.fr\/en\/wp-json\/wp\/v2\/project\/9350\/revisions\/9811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.studio-gilles-barbier.fr\/en\/wp-json\/wp\/v2\/media\/6503"}],"wp:attachment":[{"href":"https:\/\/www.studio-gilles-barbier.fr\/en\/wp-json\/wp\/v2\/media?parent=9350"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.studio-gilles-barbier.fr\/en\/wp-json\/wp\/v2\/project_category?post=9350"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.studio-gilles-barbier.fr\/en\/wp-json\/wp\/v2\/project_tag?post=9350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}