{"id":9415,"date":"2024-09-23T10:38:41","date_gmt":"2024-09-23T08:38:41","guid":{"rendered":"https:\/\/www.studio-gilles-barbier.fr\/project\/the-treasure-i-ii-2013-2018\/"},"modified":"2024-11-12T11:59:15","modified_gmt":"2024-11-12T10:59:15","slug":"the-treasure-i-ii-2013-2018","status":"publish","type":"project","link":"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/the-treasure-i-ii-2013-2018\/","title":{"rendered":"The Treasure (I &amp; II, 2013 &#8211; 2018)."},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;off|desktop&#8221; admin_label=&#8221;Header&#8221; _builder_version=&#8221;4.27.2&#8243; background_color_gradient_direction=&#8221;188deg&#8221; background_enable_image=&#8221;off&#8221; background_size=&#8221;initial&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;100%&#8221; custom_padding=&#8221;||0px||false|false&#8221; custom_padding_tablet=&#8221;5vw||5vw||true&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; make_equal=&#8221;on&#8221; _builder_version=&#8221;4.16&#8243; use_custom_width=&#8221;on&#8221; width_unit=&#8221;off&#8221; custom_width_percent=&#8221;100%&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.27.2&#8243; _dynamic_attributes=&#8221;content&#8221; _module_preset=&#8221;8f5ee6b5-14e8-48e8-a7fd-9354fcc5b479&#8243; max_width_tablet=&#8221;70%&#8221; max_width_last_edited=&#8221;off|phone&#8221; global_colors_info=&#8221;{}&#8221;]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9jYXRlZ29yaWVzIiwic2V0dGluZ3MiOnsiYmVmb3JlIjoiIiwiYWZ0ZXIiOiIiLCJsaW5rX3RvX3Rlcm1fcGFnZSI6Im9mZiIsInNlcGFyYXRvciI6IiB8ICIsImNhdGVnb3J5X3R5cGUiOiJwcm9qZWN0X2NhdGVnb3J5IiwiZW5hYmxlX2h0bWwiOiJvZmYifX0=@[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Link to <a href=\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/metaphysical-suite\/\">Metaphysical Suite<\/a>.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.27.3&#8243; text_font=&#8221;||||||||&#8221; header_font=&#8221;|700|||||||&#8221; header_2_font=&#8221;|700|||||||&#8221; header_3_font=&#8221;|700|||||||&#8221; custom_padding=&#8221;||3px|||&#8221; hover_enabled=&#8221;0&#8243; header_font_size_last_edited=&#8221;off|desktop&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1>The Treasure (I &amp; II, 2013 &#8211; 2018).<\/h1>\n<div><span>Treasure is always something enormous, even when it&#8217;s very small! What I mean is that, as treasure, it goes beyond its rational contours to encompass the whole field of fantasy, desire and hope, sometimes to the point of morbidity. But treasure is also a secret. To show it is to risk seeing it (oneself) ripped open. So sometimes we show a decoy, a copy, to preserve the real. I build my &#8220;Treasures&#8221; by typing <i>key words<\/i> (ingot, chalice, safe-deposite box, gold, silver, jewels&#8230;) on the Internet. I steal everything I find in image banks, then arrange my larcenies on paper. <\/span><\/div>\n<div><\/div>\n<p>[\/et_pb_text][et_pb_toggle title=&#8221;Read more&#8221; open_toggle_text_color=&#8221;#000000&#8243; open_toggle_background_color=&#8221;RGBA(255,255,255,0)&#8221; closed_toggle_background_color=&#8221;RGBA(255,255,255,0)&#8221; icon_color=&#8221;#000000&#8243; open_icon_color=&#8221;#000000&#8243; _builder_version=&#8221;4.27.3&#8243; _module_preset=&#8221;default&#8221; title_text_color=&#8221;#000000&#8243; title_font=&#8221;|600|||on||||&#8221; custom_padding=&#8221;|0px||0px|false|true&#8221; hover_enabled=&#8221;0&#8243; border_width_all=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"font-weight: 400;\">There&#8217;s the enjoyment of being a pirate, while taking advantage of the fact that the transposition<em> <\/em><span>of the image by<\/span><em> hand<\/em> breaks copyright laws. I work like this, no property threatens my appropriations&#8230; Because of the disparity of image resolutions, some objects and planes are blurred, others sharp, for reasons that are not optical but computer-related. I like the idea that the sharpness of an object depends on the level of compression with which its image enters the stream.<\/p>\n<p style=\"font-weight: 400;\">Moreover, the <em>Treasure<\/em> is executed in gouache on paper, the poor relative of painting. Gouache doesn&#8217;t set. Paper drinks water and pigments settle on its surface. It&#8217;s the medium of illustrators and cartoonists, not painters&#8230;<span> Take <\/span>a damp sponge and you can remove that pigment, erasing the image! It&#8217;s as delicate as pollen. I conceived the <em>Treasures<\/em> as derisory vanities hidden behind the precision and delicacy of its image. A sandcastle that the rising tide could erase.<\/p>\n<p style=\"font-weight: 400;\"><em>Excerpt from interview with H.L. (&#8220;Le Tr\u00e9sor&#8221;, 2018).<\/em><\/p>\n<p>[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Gallery&#8221; _builder_version=&#8221;4.27.2&#8243; background_enable_image=&#8221;off&#8221; background_size=&#8221;initial&#8221; background_repeat=&#8221;repeat&#8221; custom_margin=&#8221;-1px|||||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;624,3864,3862,3858,3860,3856,3854,3848,3850,3852,626,3836,3838,3840,3842,3828,3830,3812,3814,3822,3824,3844,3816,3818,3820,3834,3832,3846,8126,8124,8122,8120,10215,10177,10216,10214,10212&#8243; posts_number=&#8221;40&#8243; orientation=&#8221;portrait&#8221; show_pagination=&#8221;off&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; caption_font_size=&#8221;0px&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Link to Metaphysical Suite.The Treasure (I &amp; II, 2013 &#8211; 2018). Treasure is always something enormous, even when it&#8217;s very small! What I mean is that, as treasure, it goes beyond its rational contours to encompass the whole field of fantasy, desire and hope, sometimes to the point of morbidity. But treasure is also a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3858,"template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[27],"project_tag":[],"class_list":["post-9415","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-paintings"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Treasure (I &amp; II, 2013 - 2018). - Gilles Barbier<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.studio-gilles-barbier.fr\/en\/project\/the-treasure-i-ii-2013-2018\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Treasure (I &amp; II, 2013 - 2018). - Gilles Barbier\" \/>\n<meta property=\"og:description\" content=\"Link to Metaphysical Suite.The Treasure (I &amp; II, 2013 - 2018). Treasure is always something enormous, even when it&#039;s very small! What I mean is that, as treasure, it goes beyond its rational contours to encompass the whole field of fantasy, desire and hope, sometimes to the point of morbidity. 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